11/4/11

Interior Design - the design process

Interior Design is the planning, layout, and design of the interior spaces within a building........
including functional improvement, 
aesthetic enrichment, 
psychological enhancement of the interior space.

design is rational thoughts based on knowledge, gained through research and experience
design criteria
  • function and purpose
  • utility and economy
  • form and style

    image and meaning
intuition and imagination adds dimension to your design
phases of design

  • statement of problem> - pre design
  • collection of data>
  • analysis of data>
  • programming>
  • design concept>
  • design development>
  • construction documents
pre - design
analysis
collection of data
field measurements
document existing conditions

tools - Internet, city/town hall, site visits, photos

programming
Architectural programming is the systematic process of gathering and analyzing information about a building or other setting, and then using that information to create guidelines for the performance of that setting. The total design process includes two stages: programming and design. In programming, the parts of a design problem are separated and identified. In design, these parts are put together to form a coherent design solution. The first task for any designer, and perhaps the most important, is determining the requirements of a proposed building or site—the programming.

conceptual design
brain storm
based on data program
basic ideas form

tools-
adjacency matrix - hierarchy of spaces
bubble diagrams - spatial relationships
quick sketches - look at many solutions
design images

schematic design
major functional and spatial relationships
develop your best concepts
start basic sketches
assign square footage

tools-
trace paper, design images

design development
finalize schematic - choose best design
start final drawings
chose materials, lighting, systems

tools- 
auto cad, Internet, materials library

construction drawings
assign all dimensions
all materials selected

presentation

Lighting Design


Church of Light - Osaka, Japan


Notre Dame Du Haut -Ronchamp, France

This is blog will cover the basics of interior lighting. It will provide terminology, design ideas, and drawing symbols. Lighting is one of the most important elements in designing interior spaces, it is truly a science of it's own right. Many Interior Designers will consult with Lighting Designers for a variety of ideas, and problem solving.

Design




Walt Disney concert hall

A Lighting Designer-Meets the needs of the people who use the space.
-Selects cost-effective and energy-efficient products most appropriate for the project.
-Creates an innovative lighting solution that achieves the perfect balance of function and
aesthetics.
-Solves the unique lighting challenges of a wide range of interior and exterior environments.
-Strengthens and enhances any space through creative, yet functional, lighting plans.


Technical Information

Below are symbols for use in lighting plans; these symbols are standards that have been set up by ANSI - American National Standards Institute.
click on images to enlarge
Drawing Types
typical lighting plan
reflected ceiling plan

Terminology
Glossary of Typical Lighting Terms
BAFFLE:
A single opaque or translucent element used to control light distribution at certain angles.
BALLAST: A device used to operate fluorescent and HID lamps. The ballast provides the necessary starting voltage, while limiting and regulating the lamp current during operation.CANDELA: Unit of luminous intensity, describing the intensity of a light source in a specific direction.
COLOR RENDERING INDEX (CRI): A scale of the effect of a light source on the color appearance of an object compared to its color appearance under a reference light source. Expressed on a scale of 1 to 100, where 100 indicates no color shift. A low CRI rating suggests that the colors of objects will appear unnatural under that particular light source.
COLOR TEMPERATURE: The color temperature is a specification of the color appearance of a light source, relating the color to a reference source heated to a particular temperature, measured by the thermal unit Kelvin. The measurement can also be described as the "warmth" or "coolness" of a light source. Generally, sources below 3200K are considered "warm;" while those above 4000K are considered "cool" sources.
COMPACT FLUORESCENT: A small fluorescent lamp that is often used as an alternative to incandescent lighting. The lamp life is about 10 times longer than incandescent lamps and is 3-4 times more efficacious. Also called PL, Twin-Tube, CFL, or BIAX lamps.
CONTRAST: The relationship between the luminance of an object and its background.
DIFFUSE: Term describing dispersed light distribution. Refers to the scattering or softening of light.
DIFFUSER: A translucent piece of glass or plastic sheet that shields the light source in a fixture. The light transmitted throughout the diffuser will be redirected and scattered.
DOWNLIGHT: A type of ceiling luminaire, usually fully recessed, where most of the light is directed downward. May feature an open reflector and/or shielding device.
FLUORESCENT LAMP: A light source consisting of a tube filled with argon, along with krypton or other inert gas. When electrical current is applied, the resulting arc emits ultraviolet radiation that excites the phosphors inside the lamp wall, causing them to radiate visible light.
FOOTCANDLE (FC): The English unit of measurement of the illuminance (or light level) on a surface. One footcandle is equal to one lumen per square foot.
GLARE: The effect of brightness or differences in brightness within the visual field sufficiently high to cause annoyance, discomfort or loss of visual performance.
ILLUMINANCE: photometric term that quantifies light incident on a surface or plane. Illuminance is commonly called light level. It is expressed as lumens per square foot (footcandles), or lumens per square meter (lux).
INDIRECT GLARE: Glare produced from a reflective surface.
LED: Abbreviation for light emitting diode. An illumination technology used for exit signs. Consumes low wattage and has a rated life of greater than 80 years.
LENS: Transparent or translucent medium that alters the directional characteristics of light passing through it. Usually made of glass or acrylic.
LOUVER: Grid type of optical assembly used to control light distribution from a fixture. Can range from small-cell plastic to the large-cell anodized aluminum louvers used in parabolic fluorescent fixtures.
LUMINAIRE: A complete lighting unit consisting of a lamp or lamps, along with the parts designed to distribute the light, hold the lamps, and connect the lamps to a power source. Also called a fixture.
MR-16: A low-voltage quartz reflector lamp, only 2" in diameter. Typically the lamp and reflector are one unit, which directs a sharp, precise beam of light.
REFLECTANCE: The ratio of light reflected from a surface to the light incident on the surface. Reflectances are often used for lighting calculations. The reflectance of a dark carpet is around 20%, and a clean white wall is roughly 50% to 60%.
REFLECTOR: The part of a light fixture that shrouds the lamps and redirects some light emitted from the lamp.
RECESSED: The term used to describe the doorframe of a troffer where the lens or louver lies above the surface of the ceiling.
TROFFER: The term used to refer to a recessed fluorescent light fixture (combination of trough and coffer).
UNDERWRITERS' LABORATORIES (UL): An independent organization whose responsibilities include rigorous testing of electrical products. When products pass these tests, they can be labeled (and advertised) as "UL listed." UL tests for product safety only.
WALLWASHER: Describes luminaires that illuminate vertical surfaces.
WORK PLANE: The level at which work is done and at which illuminance is specified and measured. For office applications, this is typically a horizontal plane 30 inches above the floor (desk height).

LIGHTING EDUCATION WEBSITE
ergonomic lighting survey

10/28/11

Final Project - Interior Design - SMCC coffee shop


SMCC - Coffee Shop / Bus Stop
Located on
Fort Street
; the existing bus stop leaves something to be desired. With Maine winters being long and quite cold and spring rainy and wet; a new shelter is needed. You are given the challenge to create a new bus stop with seating for 20 in an enclosed heated shelter, and covered exterior seating for 10. Along with the bus stop you will create a coffee stand/shop that can be accessed from inside of the bus stop, as well as outside (walk up window). You will be given a basic footprint in which all programming requirements must be considered.
You will need to consider a variety of elements, such as-
-View and site line for those waiting for the bus.
-Surrounding buildings and vegetation
-Traffic flow at entrance and exits; also circulation in coffee areas.
- Equipment and storage to run a small coffee shop.
-Seating arrangements, will fixed or movable seating be more appropriate.
To begin -
- research and collect data on coffee/bus stops, ie. what equipment and furnishings are needed
-create a concept that will support your design decisions. retain any images that inspire you and support your concept
-create bubble diagrams to layout schematics of the space.
-create a drawing of the front facade, will your building emulate the details on the surrounding buildings, or stand out with its own defining elements.
Once the schematic design has been approved –
-create a rendered floor plan, elevations, and furniture plan to scale.
- research and collect images of furnishings that will be used.
- research and select appropriate finishes for your space, all spaces will be considered – ceilings, walls, floors
- create a finish board; include any lighting or signage ideas.

Drawings to include- (may be done by hand or on the computer)
Floor Plan – ¼” = 1’-0”
Lighting Plan
Floor Pattern Plan
Furniture Plan
Interior Elevations - ½”=1’-0”
Materials board
Bring to each class
Conceptual images, research, and ideas
Roll of trace paper
Sketch Book
Architectural scale ruler
Pencils, markers
Drawing equipment
Rendering tools
helpful hints and websites......
read my blog the design process

10/21/11

analogous color schemes




















color meaning

Red
Red is the color of fire and blood, so it is associated with energy, war, danger, strength, power, determination as well as passion, desire, and love.
Red is a very emotionally intense color. It enhances human metabolism, increases respiration rate, and raises blood pressure. It has very high visibility, which is why stop signs, stoplights, and fire equipment are usually painted red. In heraldry, red is used to indicate courage. It is a color found in many national flags.
Red brings text and images to the foreground. Use it as an accent color to stimulate people to make quick decisions; it is a perfect color for 'Buy Now' or 'Click Here' buttons on Internet banners and websites. In advertising, red is often used to evoke erotic feelings (red lips, red nails, red-light districts, 'Lady in Red', etc). Red is widely used to indicate danger (high voltage signs, traffic lights). This color is also commonly associated with energy, so you can use it when promoting energy drinks, games, cars, items related to sports and high physical activity.
Light red represents joy, sexuality, passion, sensitivity, and love. Pink signifies romance, love, and friendship. It denotes feminine qualities and passiveness.Dark red is associated with vigor, willpower, rage, anger, leadership, courage, longing, malice, and wrath.Brown suggests stability and denotes masculine qualities.Reddish-brown is associated with harvest and fall.


Orange
Orange combines the energy of red and the happiness of yellow. It is associated with joy, sunshine, and the tropics. Orange represents enthusiasm, fascination, happiness, creativity, determination, attraction, success, encouragement, and stimulation.
To the human eye, orange is a very hot color, so it gives the sensation of heat. Nevertheless, orange is not as aggressive as red. Orange increases oxygen supply to the brain, produces an invigorating effect, and stimulates mental activity. It is highly accepted among young people. As a citrus color, orange is associated with healthy food and stimulates appetite. Orange is the color of fall and harvest. In heraldry, orange is symbolic of strength and endurance.
Orange has very high visibility, so you can use it to catch attention and highlight the most important elements of your design. Orange is very effective for promoting food products and toys.
Dark orange can mean deceit and distrust.Red-orange corresponds to desire, sexual passion, pleasure, domination, aggression, and thirst for action.Gold evokes the feeling of prestige. The meaning of gold is illumination, wisdom, and wealth. Gold often symbolizes high quality.

Yellow
Yellow is the color of sunshine. It's associated with joy, happiness, intellect, and energy.
Yellow produces a warming effect, arouses cheerfulness, stimulates mental activity, and generates muscle energy. Yellow is often associated with food. Bright, pure yellow is an attention getter, which is the reason taxicabs are painted this color. When overused, yellow may have a disturbing effect; it is known that babies cry more in yellow rooms. Yellow is seen before other colors when placed against black; this combination is often used to issue a warning. In heraldry, yellow indicates honor and loyalty. Later the meaning of yellow was connected with cowardice.
Use yellow to evoke pleasant, cheerful feelings. You can choose yellow to promote children's products and items related to leisure. Yellow is very effective for attracting attention, so use it to highlight the most important elements of your design. Men usually perceive yellow as a very lighthearted, 'childish' color, so it is not recommended to use yellow when selling prestigious, expensive products to men – nobody will buy a yellow business suit or a yellow Mercedes. Yellow is an unstable and spontaneous color, so avoid using yellow if you want to suggest stability and safety. Light yellow tends to disappear into white, so it usually needs a dark color to highlight it. Shades of yellow are visually unappealing because they loose cheerfulness and become dingy.
Dull (dingy) yellow represents caution, decay, sickness, and jealousy. Light yellow is associated with intellect, freshness, and joy.

Green
Green is the color of nature. It symbolizes growth, harmony, freshness, and fertility. Green has strong emotional correspondence with safety. Dark green is also commonly associated with money.
Green has great healing power. It is the most restful color for the human eye; it can improve vision. Green suggests stability and endurance. Sometimes green denotes lack of experience; for example, a 'greenhorn' is a novice. In heraldry, green indicates growth and hope. Green, as opposed to red, means safety; it is the color of free passage in road traffic.
Use green to indicate safety when advertising drugs and medical products. Green is directly related to nature, so you can use it to promote 'green' products. Dull, darker green is commonly associated with money, the financial world, banking, and Wall Street.
Dark green is associated with ambition, greed, and jealousy.Yellow-green can indicate sickness, cowardice, discord, and jealousy.Aqua is associated with emotional healing and protection.Olive green is the traditional color of peace.

Blue
Blue is the color of the sky and sea. It is often associated with depth and stability. It symbolizes trust, loyalty, wisdom, confidence, intelligence, faith, truth, and heaven.
Blue is considered beneficial to the mind and body. It slows human metabolism and produces a calming effect. Blue is strongly associated with tranquility and calmness. In heraldry, blue is used to symbolize piety and sincerity.
You can use blue to promote products and services related to cleanliness (water purification filters, cleaning liquids, vodka), air and sky (airlines, airports, air conditioners), water and sea (sea voyages, mineral water). As opposed to emotionally warm colors like red, orange, and yellow; blue is linked to consciousness and intellect. Use blue to suggest precision when promoting high-tech products.
Blue is a masculine color; according to studies, it is highly accepted among males. Dark blue is associated with depth, expertise, and stability; it is a preferred color for corporate America.
Avoid using blue when promoting food and cooking, because blue suppresses appetite. When used together with warm colors like yellow or red, blue can create high-impact, vibrant designs; for example, blue-yellow-red is a perfect color scheme for a superhero.
Light blue is associated with health, healing, tranquility, understanding, and softness.Dark blue represents knowledge, power, integrity, and seriousness.

Purple
Purple combines the stability of blue and the energy of red. Purple is associated with royalty. It symbolizes power, nobility, luxury, and ambition. It conveys wealth and extravagance. Purple is associated with wisdom, dignity, independence, creativity, mystery, and magic.
According to surveys, almost 75 percent of pre-adolescent children prefer purple to all other colors. Purple is a very rare color in nature; some people consider it to be artificial.
Light purple is a good choice for a feminine design. You can use bright purple when promoting children's products.
Light purple evokes romantic and nostalgic feelings.Dark purple evokes gloom and sad feelings. It can cause frustration.

White
White is associated with light, goodness, innocence, purity, and virginity. It is considered to be the color of perfection.
White means safety, purity, and cleanliness. As opposed to black, white usually has a positive connotation. White can represent a successful beginning. In heraldry, white depicts faith and purity.
In advertising, white is associated with coolness and cleanliness because it's the color of snow. You can use white to suggest simplicity in high-tech products. White is an appropriate color for charitable organizations; angels are usually imagined wearing white clothes. White is associated with hospitals, doctors, and sterility, so you can use white to suggest safety when promoting medical products. White is often associated with low weight, low-fat food, and dairy products.

Black
Black is associated with power, elegance, formality, death, evil, and mystery.
Black is a mysterious color associated with fear and the unknown (black holes). It usually has a negative connotation (blacklist, black humor, 'black death'). Black denotes strength and authority; it is considered to be a very formal, elegant, and prestigious color (black tie, black Mercedes). In heraldry, black is the symbol of grief.
Black gives the feeling of perspective and depth, but a black background diminishes readability. A black suit or dress can make you look thinner. When designing for a gallery of art or photography, you can use a black or gray background to make the other colors stand out. Black contrasts well with bright colors. Combined with red or orange – other very powerful colors – black gives a very aggressive color scheme.